Martin Griffiths

MY ART, as with most people , is an expression of self.
I am a total perfectionist and although at times I try to test myself and escape from this repression, my work will always follow the self-imposed constraints of rigidity and control. In both my graphical design and artwork, I have already created the finished work in my mind's eye and thus my task is to ensure that the physical delivery of such work must then meet this vision.
I generally benefit from the use of a computer in the designing of my artwork, bringing in my experience as a graphic designer, as before I commence anything I know that I can accurately establish the vision and even explore it further before putting paint to canvas.
My process of commencing an item of work is split into separate stages, although in conscious reality this is more than likely one stage. I will begin with an overall idea of space, knowing exactly how large my work will be and then, working within the limit of space, will then realise the colours and form that the completed artwork will take.
My latest set of works explores both the personal self and the progression of control behind it. I have experimented in trying to move away from such rigid control but always find my work ending up within the same boundaries. This set of works, split into three very different forms of expression, is an accurate example in the study of self.
Relaxation
In this ongoing series, I am presenting the female body in a simplistic and basic form. The initial idea was to show the figure in a relaxed position within a controlled space. The use of graduating blocks surrounding the body enhance the feeling of movement carried through to the strong outlines within the figure. The juxtaposition between the simplicity of the body and the complexity of the areas which contain it promotes a puzzle for existence.
The safety collection of works started at a time when my inner being had to face many historical ghosts. I was striving to move away from memories and emotional ties and trying to come to terms with the weight of my childhood and an abusive father. The geometry and colours used within this series cover a full and eclectic range of emotions and contradictions; anger, pride, sharpness and softness. The blocks and specific areas of the paintings represent people and situations with my father being the darkest element. My safety is within the white square, with everything else around me ever-changing and surrounding my space, my safe, uncomplicated white space.
Rhythm is a series of uncomplicated, ordered and concise paintings. The idea was to present movement within a very controlled space and yet keeping a sense of fluidity. The set of paintings demonstrates the opposing forces of tranquillity and rage, with the artwork both working together and existing independently to covey the same message.

MARTIN GRIFFITHS can be contacted through artcymru